ISSN: 2966-0599
v.1, n.8, 2024 (Dezembro)
METADADOS
DOI: 10.5281/zenodo.14510654
Author: Eduardo Henrique da Silva
Biography: Possui graduação em Letras, Mestrado em Teoria da Literatura, pela UNESP/IBILCE, Campus de São José do Rio Preto e atualmente sou doutorando em Estudos Literários pela Universidade Federal de Uberlândia (UFU). Sou Professor Preceptor da Faculdade Sesi de Educação. Professor de Língua Portuguesa, Língua Inglesa e Literatura brasileira na Secretaria Estadual de Educação, Prefeituras e no Ensino Particular. Sou corretor de Redações voltadas para a entrada no ensino Superior e corrijo há alguns anos ENEM. Tenho experiência na área de Letras, com ênfase em Línguas e Literaturas e o ensino de redação voltadas para o mercado de trabalho e meio acadêmico. Atuo também como tutor via EAD como no IFRO e (plataformas digitais e presenciais) na graduação e pós-graduação. Atuo também como Psicopedagogo Clínico e Institucional. Possui pesquisas, artigos publicados sobre poesia de rigor e contemporânea, assim como publicação de artigos sobre escritores-diplomatas-poetas-prosaístas.
E-mail: eduardo.hen@ufu.br
ORCID: https://orcid.org/0009-0000-9163-6132
ABSTRACT: This article addresses the relationships between the lyrical subject and the other(s) in the poetry of Ana Cristina Cesar, focusing on the poems “Samba Canção” and “Soneto”, present in the book A Teus Pés. Cesar’s work is emblematic of contemporary Brazilian poetry, standing out for its introspection and complex treatment of the relationships between the self and the other. In the context of a fragmented and fluid subjectivity, the poems analyzed explore the tension between the desire for connection and the impossibility of completeness. The objective of the study is to analyze how the other presents itself as an essential figure in the constitution of the identity of the lyrical subject in both poems, sometimes as an idealized projection, sometimes as a challenge. “Samba Canção” explores musicality to intensify the melancholic and ambiguous character of the lyrical subject’s relationship with the other, while “Soneto” uses the formal structure to mediate the interaction between proximity and distance, creating a space for reflection. The development of the article shows that the other in Cesar’s poems is not a passive element, but an active one, functioning as a mirror and catalyst for the self-definition of the lyrical subject. The relationship is permeated by ambiguities, challenges and questions, revealing a subject that constructs itself in constant dialogue with the other. It is concluded that Cesar’s work proposes a relational and dynamic vision of the lyrical subject, exploring the complexities of subjectivity and reaffirming poetry as a space for transformation, connection and self-discovery.
Keywords: Lyrical subject. Contemporary poetry. Identity.
